Like many coming of age stories, the major conflicts in this play are both internal and external Tom cannot choose both the future he desires for himself and the future his mother, Amanda Wingfield, desires for him and for Laura. In some ways, this is a coming of age story, with both Tom Wingfield and Laura Wingfield negotiating their roles as young adults. The Glass Menagerie is autobiographical in its sources. Although The Glass Menagerie also received much popular acclaim, some critics believe that the thematic devices that Williams relies on, such as the legends on the screen, are too heavy-handed. This play was the first of Williams’s to win the New York Drama Critics Circle Award, an honor he was given four times. “It’s a lovely production, wonderfully cast, of a classic play.The Glass Menagerie was originally produced in Chicago in 1944 and then staged in New York on Broadway in 1945. And a large part of that excitement is the amazing collaborative process of working with my ideal cast.” “The chance to deconstruct this already brilliantly abstract piece is exciting and an immense challenge. “I’m attracted by its simplicity and its humanistic qualities,” said Repkoe, who previously directed EPAC’s much-lauded Of Mice and Men. 7-21 production of this stage classic, agrees. Rich Repkoe, the director of the Ephrata Performing Arts Center’s forthcoming Sept. Jane Holohan, Lancaster Online TV Commercial “EPAC’s ‘Glass Menagerie’ sparkles with profound emotion” The Iguana, but the aching poetic angst of his Glass Menagerie makes it, for many, Williams’ delicately balanced “memory play” lacks the violent and sensual dynamics of his later works, A Streetcar Named Desire, Cat on a Hot Tin Roof and Night of The cast is stellar, and makes this play an exceptional production.” “EPAC’s production of The Glass Menagerie is beautiful and haunting. Photos – See more on FlickrĪmanda, the stranded single mom whose genteel affectations veil her quietĪnd Tom, Laura’s devoted older brother, trapped into Man of the House status by his father’s abandonment while aching to flee and pursue his dream of becoming a writer-just like his real-life alter-ego, Tennessee Williams, the author of this celebrated, landmark play. Laura, an emotionally and physically hobbled young woman without romantic or occupational prospects. The fragile glass figurines decorating the otherwise shabby Wingate family apartment in “The Glass Menagerie” are virtual mirrors of its occupants:
“…this is your chance to learn what theater craft – both creation and re-creation – is all about.”
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